Unmasking Masculinity for the 21st Century

September 24, 2022 - December 29, 2022

Presenting works culled from the KIA’s collection, combined with borrowed works from around the U.S., Unmasking Masculinity for the 21st Century will investigate how artists use tradition, contemporary practice, and performance to explore the construction of masculinity in North America. Co-curated by Rehema Barber, Chief Curator of the KIA, and highly acclaimed independent curator Larry Ossei-Mensah, they seek to create an exhibition that is also a forum to engage the community in conversations led by artists, community members, and scholars.

Unmasking Masculinity for the 21st Century aims to survey the construction of masculinity among diverse communities and individuals, as well as how artists have responded to, reframed, or reclaimed the concept of masculinity throughout the 20th and 21st centuries. Throughout the nearly a-year period that Unmasking Masculinity explores, the exhibition seeks to present a wide range of representations of masculinity. The exhibition explores the construction of masculinity beyond biological traits to examine the ways in which it intersects with various social factors such as gender, race, sexuality, and socioeconomic status. Unmasking Masculinity investigates how all of these factors continue to influence understandings of masculine identities today.

Artworks within the exhibition by Nate Lewis, jc lenochan, James Luna, Catherine Opie, and others will delve into the impacts of colonization and imperialism, socioeconomic status, and socialization during adolescence in establishing society’s understandings of masculinity. Other works by artists like Keith Anderson, Kahlil Joseph, Juliana Huxtable, and Cheryl Pope will examine the psychological influences and ideological systems that affect contemporary understandings of masculinity. Works by artists such as Jaishri Abichandani, Brendan Fernandes, Lyle Ashton Harris, and Arthur Jafa will speak to the mythologies surrounding masculinity, while challenging dominant social mores dictating sexual identity.

This exhibition, in its entirety, endeavors to probe how artists use or dispel mainstream ideologies or traditional norms as a means to delve into perceptions and cultural socialization. As a result, the curators ask viewers to consider the meanings and embodiment of masculinity in a global context, past and present. The works and artists featured in Unmasking Masculinity for the 21st Century will reveal the complex and contradictory notions of manhood in our society, while encouraging visitors to explore how varying ways of thinking about masculinity can give rise to meaningful conversations about identity for future generations.

Along with an extensive schedule of programming, a full-color catalog will accompany Unmasking Masculinity for the 21st Century with contributions from the curators, Jeff Chang, Omar Lopez-Chahoud, Anuradha Vikram, and Maurice Wallace.

Patrick Quarm, POCCO, 2020, mixed media on canvas.  Collection of the Kalamazoo  Institute of Arts; Elisabeth  Claire Lahti Fund purchase.
Derek Fordjour, Couplet 80, 2020, Acrylic, charcoal, and oil pastel on newspaper mounted on canvas. Courtesy of Rodney and Patrice Shelton. Image courtesy of the artist. Roger Shimomura, Kansas Samurai, 2004, lithograph, Permanent Collection Fund purchase Andy Warhol, General Custer, 1986, screenprint, Art Auction Fund purchase Demond Melacon (Big Chief Demond), Red Cloud & Sitting Bull, 2013, glass beads and rhinestones on canvas with velvet and feathers. Courtesy of the Arthur Roger Gallery.